The Alfatross

The Alfatross
The Alfatross in 1965 and 50 years later in 2016

Sunday, February 22, 2015

Famous Last Words: "How Hard Can It Be?" (Post # 78)


Original tall piston and short rod (top); short piston and 
tall rod below. The new pistons and rods are much lighter.
DeWayne Samuels.

Machining the relief in the piston valve pocket. 
DeWayne Samuels.

That depends . . .

I thought rebuilding The Alfatross' original, matching-numbers engine would be the easiest, fastest, and least costly part of the overall restoration. At first glance, it's pretty old school: 4 cylinders, 2 carbs, a cast-iron block and 1950s technology--How hard can it be?

The fact that the previous engine re-builder couldn't do the job in eight years should have made me rethink the true magnitude of the task.  Working with DeWayne Samuels and Roger Lorton over the last three years I have come to appreciate at least some of the intricacies of rebuilding the Alfa Romeo 1900 SS engine.  
Machining the valve relief bosses. DeWayne Samuels.

Yes, the engine is simple in terms of number of moving parts, but some of those parts were damaged beyond repair and had to be replaced.  This opened the door to modification options.  

Keeping Up Appearances

The valve spring seat areas were machined to  take
a chrome moly hardened spring seat
DeWayne Samuels.
Externally, the engine will look exactly the way it did originally.  This is a claim that few of The Alfatross' brethren can make, particularly the road-worthy ones. Many have traded their original Solex 40 P II carbs for Webers and in the process jettisoned their emblematic but heavy, cumbersome air filter housings. This is understandable because Webers are the performance carburetor of choice, but we're sticking with the original Solexes. 

Internally, though, there will be significant differences.  Throughout the restoration of The Alfatross it was always paramount to maintain originality.  With the engine, that meant cleaning and reusing old parts whenever possible rather than replacing them. But those original parts are now 60 years old and some of them have been rode hard and put away wet. 






Correction of a design flaw: installation of "stepped
seat" washers provides a hard surface for the studs
nuts and washers to bear on.  DeWayne Samuels.





"New and improved" valve guides with relocated spring
seat bosses and areas for valve seals (which the originals
never had.  DeWayne Samuels.






Preparing the crankshaft for installation in the block. 
The discoloration is a result of the nitriding process
which hardens and strengthens the steel.
DeWayne Samuels.










Engines are designed to be maintained and repaired, so replacement of parts that wear out relatively quickly is not only necessary, but perfectly natural. Problem is, with the exception of certain parts which continued to be used in later models, finding replacement parts for an engine that has been out of production for half a century can be challenging. From the beginning it was apparent that if we were going to restore The Alfatross' sprightliness the engine's internals would have to be modified. Is this a departure from originality? Yes, but a necessary and rational one.   


As I mentioned in a previous post, The Alfatross' cams, pistons, and exhaust valves needed replacement. DeWayne spent some time researching NOS parts but very quickly concluded that if we had cams and pistons made to order rather than "stock" we could improve power and reliability. But as long as we were having them made, we could have them made better--more in line with modern engineering principles. We could go with shorter pistons and longer connecting rods instead of the stock tall pistons and short connecting rods--and up the compression ratio at the same time.


Improving Performance 

Engine engineering has come a long way over the last 60 years.  We can do things now to make an engine last longer and run better and more efficiently. Some modifications are as simple as hardening and polishing contact surfaces, or installing stepped washers to prevent the steel washers and nuts that torque down the cylinder head from gouging into the much softer aluminum

Others are small refinements to reduce friction and wear such as improving valve guide configuration.  Still others get into some serious re-engineering of the engine's internals. Changes made to one element, like the connecting rod length, necessitate making changes to other elements so that everything works in concert.
The five main bearings saddled into the block in
preparation for receiving the crank.
DeWayne Samuels. 




A good example of this cascade effect is the way changing the length of the connecting rod changes piston velocity, which changes the fill/empty cycle rate of the combustion chamber, which in turn necessitates developing a new cam profile--all doable, we just have to get the entire package working in concert so the outcome is what we want in all aspects--not just parts stuck together.




The crank, fitted to the block.  DeWayne Samuels.

Flywheel end of the crank with the oil slinger in place
DeWayne Samuels.

   









Tuesday, February 17, 2015

What If The Alfatross Could Speak for Itself? (Post # 77)

Anthropomorphization

Ann Arbor, MI, 1963.  Pat Braden.
Not surprisingly, The Alfatross has never spoken to me. Not in words, anyway. It's just a machine, a collection of bits and pieces, rubber, steel, glass, and aluminum. It doesn't have a soul or spirit. It isn't alive.

Ann Arbor, MI, 1964
So why do I feel like it does and is? Sometimes I wonder what it would say if it could speak. What do cars care about? Do they have memory? Do they have feelings? Do they bond with their owners?  

If I could establish a five-minute dialog with The Alfatross I think it would go something like this:

Alfatross: "We need to talk."

Me: "Uh-oh . . . ."
Chapel Hill, NC, 1970

Alfatross: "Why did you buy me . . . and then treat me so badly?"

Me: "Well, you know, I was young and inexperienced and you were an Italian Exotic. Va-va-voom!"

Alfatross: "That doesn't explain the mistreatment part: leaving me out in the cold and rain, ignoring me for weeks at a time."

Me (guiltily): "There were a lot of demands on my time . . ."
Hendersonville, NC, 1980.

Alfatross (accusatorily): "That's lame."

Me (changing the subject): 
"Are you male or female?"

Alfatross: "Does it matter?"

Me: Never mind.
Corpus Christi, TX, 2004.

Alfatross: "Was your original intention really to turn me into a 'hot rod' with Corvette seats, fat tires, tinted windows and a flashy two-tone paint job?  And what was that I heard about tossing my engine and cramming a small-block V8 in its place? Didn't you like me the way I 
was?"

Me: "Well . . . not the color."

Alfatross: "Then what did you like about me?"


Corpus Christi, TX, 2010.
Me: "I liked your weirdness--wire wheels, knockoffs, plastic windows, hand-made little bits and pieces, five-speed stick shift, those funky seats, all those great instruments on the dash, especially the 220 on the speedometer (until I figured out it was kilometers!), your shape, your beautiful shape--but 
not your dependability (or lack thereof)!"

Santa Fe, NM, 2013.
Me: "I admit to neglecting and mistreating you for all those decades, but aren't you happy about what's happening now?"

Alfatross: "That depends on how it all turns out."

Me: OK, that does it!  You are definitely female!"

Alfatross: "Suit yourself."


Me: "I just have one question for you before the five minutes is up: Did you ever race?"


Santa Fe, NM, 2013.
Alfatross: "That's all you men ever ask!  'What races were you in?  What were your podium finishes?  Who were your drivers? Talk about one-track minds!  Well I'm not saying.  If it means that much to you go find out for yourself!"

Me: "You're lucky. You can roll back time. You're getting younger every day 
Lebanon, TN, 2014. Tim Marinos.
like King Arthur's Sorcerer Merlin.  Me, I can only get older, more decrepit and useless. You will outlive me and other men will eagerly step forward to lavishly care for you.   

Alfatross: "Quit complaining. And don't expect me to feel sorry for you. I'm just a heartless, soulless machine, remember?"


Lebanon, TN, 2015.  Tim Marinos.
Me: No, really, think about it. You started out as chassis number 02016, one of 20,000 other Alfa 1900s produced. By pure chance you were selected to be sent to carrozoria Zagato, where some great designers shaved off hundreds of pounds of excess weight and made you a to-die-for lithesome dress. From that day on you were special. You must have felt like 'Jake Sully'  in Avatar

Alfatross: "Yes, I was a dish in those days.  But I didn't see the movie and I still don't feel sorry for you."

Me: "Those days are coming back.  You have a lot of admirers--you're going to be reborn, and more beautiful and powerful than ever!  All it takes is time an money.  And expertise. And research. And artistry. And careful planning. And devotion.  And Perseverance.  And Patience . . . and did I mention MONEY?


Sunday, February 15, 2015

Department of the Interior (Post # 76)

Stranded in his workshop in Massachusetts with 10 feet of snow blocking the doors and windows, Derrick Dunbar, Head of the Department of the Interior, has made remarkable progress this winter restoring The Alfatross' seats, door panels, and parcel shelf.  In the photos below, you will see what the seats that I sent him one year ago looked like and what they now look like.  You will probably think the shape is right, but the color differences are dramatic. Yes, they are, but remember that the difference is due to (a) dirt and fading on the original materials and (b) The lighting conditions under which the photos were taken.

Original condition of one of the front seats.
It looks like it was made of one type of
material, but in actuality it was made of
two very different material in two very
different colors.

Original condition of a seat back and the
Pirelli webbing on the base.

The new Pirelli suspension webbing material.
Derrick Dunbar.














              

The original bright color of the rubber fabric used to upholster the seats and "slats" of the seat backs is revealed in this photo taken in Derricks shop after the vinyl backing the protected it for 60 years was removed.  The new material was selected to match this original color.


A finished seat upholstered with dark vinyl bolsters, seat skirt and backing panel and an
unusual material for the seat and back closely matching the original material which no longer
can be found. Derrick Dunbar.
Detail of the stitching and
 textures of the two
types of
 materials used.  
Derrick Dunbar.
The backs of the front seats are covered in the
same material as the bolsters and skirt.
Derrick Dunbar




The driver's door panel when it arrived in Derrick's shop.  

The driver's door panel after restoration.  Derrick Dunbar.