The Alfatross

The Alfatross
The Alfatross in 1965 and 50 years later in 2016

Sunday, December 27, 2015

Christmas Comes Early (Post # 100)


After an aerospace quality rebuild and numerous runs on the dyno, DeWayne pronounced the engine "good to go" last weekend. Dave and Jim Angel threw themselves into the breach to make the marathon round-trip drive from Santa Fe to Scottsdale (950 miles) in 18 hours to pick it up while I continued to putter at The Shed. I had an "Igor, you idiot!  You got the wrong brain!" moment of despair when I saw the bright red crate in the bed of Dave's truck was labeled "PORSCHE 4-CAM." 



E Pluribus Unum

"Out of Many, One" Just consider for a moment that we blithely use the word "engine" to describe something with hundreds or thousands of parts, all working harmoniously together to make a confined space self-propelled--an "automobile". Ever wonder how many parts are in an engine? Of course not! That's not a question that would occur to anyone in their right mind. Well I asked myself that very question (what does that tell you about me?) and realized I didn't know either, although I've had to account for and shepherd all of them through the restoration process ever since the engine came out of the car in about 1981. Trust me, it's more than you think, even for a relatively small, 4-cylinder, 2-liter motor like The Alfatross'--which just came back in one piece after a 3 1/2 year stint in Scottsdale, AZ at the Samuels Speed Technologies Engine Spa.  It left The Shed in boxes and bags of individual parts, but now it is whole again and enlivened.  Just listen . . .




The engine's "face".  DeWayne took great pains to use all the 
original parts and to maintain the engine's original outward 
appearance with the proper paint and finishes on the steel 
and aluminum fixtures, proper hoses and hose clamps, wiring, etc. 

Authenticity

Car collectors are very concerned about the connection a car has with its engine. They go to great lengths to ascertain whether a car still has its original engine or an identical--but not original--engine, or some other engine altogether. Sounds simple, but there are lot of potential complications. Cars with race history often go through more than one engine in their lifetime, but no one holds that against them.  I am mentioning all this now because I want to firmly establish that The Alfatross has its original engine.


The serial number of The Alfatross' engine matches the number Alfa Romeo's records show for chassis AR 1900C 02016. The "1308" refers to the type, a 1975 cc engine installed only in Super Sprint chassis.
   
The fine finishes on the original Solex carbs, fasteners, intake manifold and fuel pump.


The Exhaust side, headers removed for shipping.



The vertical oil filter canister is a hallmark characteristic of the 1308 SS engine.

The original Bosch starter, broken before I got the car in 1969, relegated ignominiously to a box in the trunk,  rescued, rebuilt, and now back where it belongs.


Slip-Slidin' Away

This is the 100th post to this blog since it began on January 1, 2013. With only another week left, 2015 is slip-slidin' away--in more ways than one!  I'm looking out the window as a two-day blizzard rolls across Santa Fe and eastern New Mexico.  The Alfatross was scheduled to arrive in Santa Fe at 8 AM this morning, but now--with the 350 mile stretch of Interstate highways between The Shed and where the Alfatross' body sits shivering in a Reliable Carriers transporter somewhere around Amarillo, waiting for a break in the weather--maybe tomorrow?    

Sunday, December 20, 2015

Red, Blue and . . . Green! (Post # 99)

Red is for your coat so shiny.
Blue is where we put our heinies.
Green, well green's another story, 
Green's what it takes to restore your glory!


Alfatross Beset by Russllers!

Paul Russell & Co. rustlers, that is.  Derrick Dunbar, Foreman Coach Trimmer and Andy Hilton, Production Manager, specifically.  Now the Alfatross is finally headed back to Santa Fe where it will be reunited with its engine, wiring harness, lights, running gear, and all its other original elements. 

With only 34 days to go before "show time", it's going to be pedal to the metal to make the Arizona Coucours d'Elegance on January 24th, 2016.  



Not quite finished yet, but you get the idea . . .  Andy Hilton.


The front seats are light-weight, ventilated, and covered
with dark blue vinyl on the bolsters and a lighter shade of
more "grippy" blue suede vinyl on the seat back and
bottom.  Derrick Dunbar. 



The "back seat"--perhaps for children--is rudimentary with
respect to comfort, but looks pretty sharp!  Note that
although the different photos show the same material in the
same color, they all look different due to different lighting
and camera and computer settings.  Andy Hilton.



A shot of the carpeting going in.  The dashboard has not yet been installed.  Yellow tape covers painted surfaces vulnerable to damage during restoration.  Derrick Dunbar.  

Now the front seats are in and you can see the door panel installed on
the passenger's side.  Seat belts were not mandatory or normally
installed in the mid 1950s, but we chose to install them for safety sake
in case future owners 
occasionally choose to partake of 
"spirited driving".  Andy Hilton. 



Derrick has done a super job of restoring the original door panels and
trim.  When The Alfatross gets back to Santa Fe Tim Marinos will
install the t
he Plexiglas windows and wind deflector, window winders,
and door opener levers.  Derrick Dunbar. 

The Spartan back seat.  The inset three-button panel on the seat is
unique among The Alfatross' brethren.  Andy Hilton.

Sunday, December 6, 2015

What Carchaeologists Could Learn from Henry Jones (Post # 98)

Archaeology
Dr. Henry Jones and his son Indiana--the two most famous "archaeologists" in the world--are racing across Europe to beat the Nazis to an artifact of unimaginable power: the Holy Grail. They stop at a crossroads. Indiana wants to press on to Jordan, but Henry insists that they turn back to Berlin to recover the notebook he compiled containing cryptic clues to the Grail's location, which has fallen into enemy hands. Exasperated, Indiana says "Well you wrote it down, can't you remember it?" With infinite restraint Henry responds, "I wrote it down so I wouldn't HAVE to remember it."

The point is don't trust your memory. Real archaeologists take it one step further: "If you didn't write it down, it didn't happen!"



Indiana to Henry Jones: "Well don't you remember?!"

Carchaeology

If there is anyone out there reading this blog who is also in the throes of a restoration project, this post is for you. In my experience with vendors, collectors, and even authorities on the subject of rare old cars like The Alfatross, there is not nearly enough note taking, record keeping, sketching, or photography going on. There are exceptions of course, but a lot of people in the business seem to prefer, or at least rely on "word-of-mouth conventional wisdom" rather than actual hard evidence. Sometimes there isn't any hard evidence-- because nobody ever wrote anything down and made it accessible to the rest of us! Meanwhile, unverifiable claims that go unchallenged and repeated often enough become "fact".


Mea Culpa

I, too, am guilty of inadequate recording and it has come back to haunt me more than once. When I took the engine out in 1981 I removed the carbs, generator, starter, and other external bits and pieces thinking that I would restore them over the next few weeks as time and resources permitted. I didn't take any photos or make sketches or notes. Surely I would remember exactly where they came from and how they went together. And I probably did--for the first several decades, but 30 years later I had a rude awakening.
I wrote it down so I wouldn't HAVE to remember!


In a recent post I mentioned that the starter I supplied to the engine builder did not fit, even though it is the "right" Magneti Marelli unit of Italian manufacture specified in the manual and the one that was on the car when I bought it in 1969. I had no explanation for these problems, and no records to consult.

Eventually, memory did come to the rescue when I remembered the broken starter I found in the trunk when I bought the car 46 years ago. It was a German Bosch unit, with a very heavy cast iron nose cone. From appearances and intuition it was not the "right" thing at all--except that it was the original starter, as verified by the brushed-on silver paint matching the silver used to paint over the original black of the engine bay!

It makes me wonder what judges at concours d'elegance rely on. Not only do they not have authoritative sources to consult for each and every different car they are supposed to judge, but they have only a few minutes to look over any particular entry. How do you decide what's "right" and what's "wrong"? That's a question I ask myself every day when working on The Alfatross.



The Digital Revolution to Our Rescue

I prefer to communicate with vendors and experts using e-mail, but I notice that many of them would rather talk on the phone. Problem is, once the call is over there isn't any record of what was discussed or decided. Nothing written down, no paper trail, no way to prove it ever happened.

After pestering contractors for photos and updates on the progress they are making with my project, sometimes I hear things like "I'm too busy working to write stuff down or take pictures! Things like that take a lot of time and interrupt the work. Anyway, I'm a mechanic (or body man or painter or . . . ), not a writer or photographer!"

Maybe that used to be true, but communication has never been easier, faster, cheaper--or more important--than it is today. Digital images are just as easy to compile and send as words are. E-mail messages with images and even links to Web sites and videos are instantaneous and free. What more could you ask for? 

The restorer who takes the time to acquire those skills and add them to his repertoire will be better able to help his clients understand the skills and procedures it takes to do the job and why the process takes so long. And the best part is it automatically creates a record of the decision-making and restoration processes, which may not seem important at the moment, but will be absolutely critical at some point in the future.